The Motherfucker with the Hat – National Theatre
It appears that maybe the Lyttleton stage was chosen instead of the Dorfman due to the particulars of Robert Jones’ stage design. The Motherfucker with the Hat is a pleasant […]
It appears that maybe the Lyttleton stage was chosen instead of the Dorfman due to the particulars of Robert Jones’ stage design. The Motherfucker with the Hat is a pleasant […]
Prior to 19th September 2014, I along with the majority of United Kingdom’s population, awaited in anticipation, was Scotland to gain independence from Tory-Liberal led England? The day passed, many […]
I am writing this post sat in Middlesbrough with thoughts on economic equality and the north-south divide. Occupy London’s values are foremost important in a north-eastern town such as this […]
James Graham needs no introduction in the world of theatre. Emerging at Finborough, his career has accelerated since his huge hit This House at the National Theatre. Possibly recognised as […]
The inside of The Shed at the National Theatre currently is a shelter home set in East London. Young homeless people reside at Shelter East in hope of securing keys […]
Andrew Scott is a familiar name amongst fans of Sherlock Holmes (Moriarty). Not fitting into that group, I recognised the actor’s face from his performances in Old Vic’s ‘Design for […]
At the National Theatre whilst the Cottosloe becomes the Dorfman, (accolade to Travelex Chairman Lloyd Dorfman) The Shed designed by Architects Haworth Tompkins will be home to many exciting projects, […]
Announced earlier this year, Nicholas Hytner will graciously depart from the National in 2015. Othello is his first play to be staged since the news. Over the past three years […]
Marianne Elliott last collaborated with Simon Stephens, with his adaptation of Mark Heddon’s Curious Incident of the Dog in the Night Time. This time round Elliott has revived Stephens’ Port, […]
Returning to the Lyttleton, to see Howard Barker’s debut at the National Theatre I was pleased to see a performance at this venue that evokes the hautiness of patriarchy. Fiona Shaw […]